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Added by: Hans Maes, Contributed by:
Summary: In conventional film photography, negatives are used in the darkroom to produce positive images, but in the outmoded medium Polaroid 665 the positive image is used to make a unique negative that can then be employed to make positive prints in the future. This generativity of the Polaroid 665 negative is used by the artist to mirror the complexity of feelings regarding intersex bodies. The series shows how negative affect can be productive and political, even when it appears to suspend agency.
Comment: Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.
Artworks to use with this text:
Del LaGrace Volcano, Herm Body (2011- )
Self-portraits which clearly reference the work of John Coplans and reflect on Volcano’s midlife embodiment changed by hormones, age, and weight. The title draws attention to the materiality of its subject, insisting that we receive the body as ‘herm’ – a word Volcano uses to name intersex history and claim trans embodiment.
Steinbock, Eliza. Generative Negatives: Del LaGrace Volcano’s Herm Body Photographs
2014, Transgender Studies Quarterly 1(4): 539-551.
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Keywords
abortion
action
Aristotle
art
art classification
autonomy
causation
cultural property
culture
depiction
desire
disability
distributive justice
epistemology
ethics
explanation
feminism
fiction
gender
intuition
justice
Kant
knowledge
logic
metaphysics
mind
models
philosophy of language
philosophy of logic
philosophy of mathematics
philosophy of mind
philosophy of religion
philosophy of science
portrait
race
Rawls
realism
representation
responsibility
science
truth
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virtue ethics
war