- Added by: Simon Fokt, Contributed by:
Back matter: “A welcome attempt to resurrect an older tradition of moral and political reflection and to show its relevance to our current condition.” — John Gray “Cosmopolitanism is… of wide interest-invitingly written and enlivened by personal history… Appiah is wonderfully perceptive and levelheaded about this tangle of issues.” — Thomas Nagel “Elegantly provocative.” — Edward Rothstein “[Appiah’s] belief in having conversations across boundaries, and in recognizing our obligations to other human beings, offers a welcome prescription for a world still plagued by fanaticism and intolerance.” — Kofi A. Annan, former United Nations secretary-general “[Appiah’s] exhilarating exposition of his philosophy knocks one right off complacent balance… All is conveyed with flashes of iconoclastic humor.” — Nadine Gordimer, winner of the 1991 Nobel Prize in Literature “An attempt to redefine our moral obligations to others based on a very humane and realistic outlook and love of art… I felt like a better person after I read it, and I recommend the same experience to others.” — Orham Pamuk, winner of the 2006 Nobel Prize in Literature.
Comment: The introduction provides a particularly good entry text to ethics, race and cosmopolitanism.
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- Added by: Erich Hatala Matthes, Contributed by:
Summary: In this chapter, Appiah offers a cosmopolitan critique of the concept of cultural property/patrimony. By emphasizing the common features of our humanity and the tenuousness of certain cultural identity claims, he puts pressure on conceptions of cultural property that would exclude others, particularly those that have a nationalist character. He raises important philosophical questions about cultural continuity over time, and explores how the location of art can best facilitate its value for humanity. In general, he supports a cosmopolitan/internationalist approach to cultural property that promotes the exchange of cultural products around the world.
Comment: This text offers a clear and effective overview of philosophical issues concerning cultural property, and uses a range of cultural and artistic examples. It offers a concise summary of the legal scholar John Merryman’s classic article in support of internationalism about cultural property (not included in this curriculum). It pairs well with Lindsay’s article.Export citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format