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Leech, Jessica. Potentiality
2017 2017, Leech, Jessica. Potentiality. Analysis 77 (2):457-467.
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Added by: Christopher Masterman
Abstract:

Vetter's Potentiality is an exposition and development of a new account of possibility and necessity, given in terms of potentialities. In this critical notice, I give an outline of some of the key claims of the book. I then raise some issues for the extent to which Vetter's view can accommodate genuine de re modalities, especially those of possible existence and non-existence. 

Comment: Would work excellently in conjunction with Vetter's Potentiality (OUP), particularly in any undergraduate or masters course on modality which incorporates discussion of dispositionalist views of modality.

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Tillinghast, Lauren. Essence and Anti-Essentialism about Art
2004 2004, The British Journal of Aesthetics 44: 167–83.
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Added by: Simon Fokt
Abstract: I argue that clarity about essence provides the tools both to isolate a distinct concept of art and to see why anti-essentialism is a plausible, though incomplete, doctrine about it. While this concept is not the only concept currently expressed by our word ‘art’, it is an interesting, and might be an important, one. One of the challenges it poses to conceptual analysis is to explain what it is to be better than being good of a thing's kind, where this extra-goodness is neither a trivial fact nor simply a matter of being a good instance of two different kinds of thing. While anti-essentialism seems to be right about what types of analysis will not work for it, this result only deepens the question of what its proper analysis is.

Comment: This text offers a detailed analysis of anti-essentialist claims. It is quite complex and long, which makes it much more suited for Masters level teaching. For use in undergraduate classes, I recommend limiting it to the first two sections which focus on the problems of anti-essentialism. Those problems will likely be the most interesting discussion point for seminars. It will also be useful to talk about the good-guaranteeing sense of art: what is its importance and how do claims made in its context relate to existing definitions of art?

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