Full text
Man, Eva Kit Wah. Female bodily aesthetics, politics, and feminine ideals of beauty in China
2000, In Beauty Matters, Peg Zeglin Brand (ed.), Indiana University Press, p169-196.
Expand entry
Added by: Clotilde Torregrossa, Contributed by: Christy Mag Uidhir

Abstract: A long and scholarly piece by Eva Kitt Wah Man covers the history of Chinese conventions governing female ‘beauty’ from Confucius through Maoism to the present day. Classical manuals provide highly specific requirements forc ourtesans and concubines. The shrunken, pulpy appendages produced by foot-binding practiceswere regarded as the most sexually stimulating features of the female body. In 1949, following the inauguration of the Communist regime, women were expected to shun ornament and make-up, to have short hair, wear party uniforms, and to look as much like men as possible. The ideal for the contemporary Chinese woman is quite a lot like the ideal for the courtesan of tradition, but the de-tails are drawn from western fashion magazines. Wah believes that such liberation, although it has its advantages, is mainly nominal and fosters confusion. She writes: ‘Although Chinese women today are developing new self-confidence, they do not seem to be aware of the fact that one can be-come a slave of the fashion industry, which merely repeats the bodily constraints of past times in a new form’ (p. 194). [review by Mary Mothersill, 2001 – Journal of Aesthetics and Art Criticism 59 (2):211-214.] Feminist Review volume 75, pages145-147, 2003)

Comment: [This is a stub entry. Please add your comments to help us expand it]

Export citation in BibTeX format
Export text citation
View this text on PhilPapers
Export citation in Reference Manager format
Export citation in EndNote format
Export citation in Zotero format
Share on Twitter Share on Facebook Share on Google Plus Share on Pinterest Share by Email More options
Can’t find it?
Contribute the texts you think should be here and we’ll add them soon!