Diversity Reading List

This paper stresses the importance of identifying the nature of an author’s conception of logic when using terms from modern logic in order to avoid, as far as possible, injecting our own conception of logic in the author’s texts. Sundholm (2012) points out that inferences are staged at the epistemic level and are made out of judgments, not propositions. Since it is now standard to read Aristotelian sullogismoi as inferences, I have taken Alexander of Aphrodisias’s commentaries to Aristotle’s logical treatises as a basis for arguing that the premises and conclusions should be read as judgments rather than as propositions. Under this reading, when Alexander speaks of protaseis, we should not read the modern notion of proposition, but rather what we now call judgments. The point is not just a matter of terminology, it is about the conception of logic this terminology conveys. In this regard, insisting on judgments rather than on propositions helps bring to light Alexander’s epistemic conception of logic.

Abstract: The idea of Gaia—of life on earth as a self-sustaining natural system—is not a gratuitous, semi-mystical fantasy. It is a really useful idea, a cure for distortions that spoil our current world-view. Its most obvious use is, of course, in suggesting practical solutions to environmental problems. But, more widely, it also attacks deeper tangles which now block our thinking. Some of these are puzzles about the reasons why the fate of our planet should concern us. We are bewildered by the thought that we might have a duty to something so clearly non-human. But more centrally, too, we are puzzled about how we should view ourselves. Current ways of thought still tend to trap us in the narrow, atomistic, seventeenth-century image of social life which grounds today's crude and arid individualism, though there are currently signs that we are beginning to move away from it. A more realistic view of the earth can give us a more realistic view of ourselves as its inhabitants.

Introduction: Is philosophy like plumbing? I have made this comparison a number of times when I have wanted to stress that philosophising is not just grand and elegant and difficult, but is also needed. It is not optional. The idea has caused mild surprise, and has sometimes been thought rather undignified. The question of dignity is a very interesting one, and I shall come back to it at the end of this article. But first, I would like to work the comparison out a bit more fully.

Abstract: The complaints which I wish to make are concerned primarily with prose, not with poetry, and primarily with novels, not with drama; and they are brief, simplified, abstract, and possibly insular. They are not to be construed as implying any precise picture of "the function of the writer." It is the function of the writer to write the best book he knows how to write. These remarks have to do with the background to present-day literature, in Liberal democracies in general and Welfare States in particular, in a sense in which this must be the concern of any serious critic.

From the Introduction: "Lynn Hankinson Nelson and Jack Nelson extend the work begun in the former’s book Who Knows: From Quine to a Feminist Empiricism, by showing that a Quinean understanding of logic as an empirical field implies that logic remains open to revision in light of fundamental shifts in knowledge. Nelson and Nelson point to the revisions in scientific understandings made possible by the incorporation of women and women’s lives as emblematic of the possible ways that feminist thought can provide a deep reworking of the structures of knowledge and thus potentially of logic. Although they are cautious of any conclusions that logic must change, their work offers a theoretical ground from which the effects of feminist theorizing on logic can be usefully explored."

Abstract: In two essays in the ART/Artifact(1988) exhibition catalog, white American museum curator Susan Vogel and white American philosopher Arthur Danto pronounce that Africans do not distinguish between art and nonart. Although seemingly objective empirical statements, their assertions about Africa and its art are racially based ruminations of a white supremacist worldview. I argue that in theorizing within the category of race they produced racialized aesthetics that commit the Eurocentric fallacy of upholding systemic racist objectives. I argue that (1) their assertions fail to be about African art, but about hegemony and power; (2) as the longest enduring artistic activity of humanity, African art is an important check to racialized aesthetics; (3) art is produced outside the category of race and from a critically conscious awareness of the world; and (4) art bespeaks creativity and presupposes the artistic and moral values of a culture in the manipulation and transformation of physical reality.